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向劇場
TOWARD THEATRE
日月潭向山遊客中心
Sun Moon Lake Xiangshan Visitor Center

INTERIOR · EXHIBITION · IMMERSIVE THEATRE
2025–2026 · NANTOU, TAIWAN

向劇場

Toward Theatre

LOCATION
南投・日月潭
Sun Moon Lake, Nantou

CLIENT
交通部觀光署
日月潭國家風景區管理處

DESIGN
見文知桓聯合設計
CHIENHWAN associates

TYPE
Interior / Exhibition / Immersive Theatre

一場從風景轉向心境的空間旅程

A Spatial Journey from Landscape to Inner Perception

日月潭是一面深藍色的鏡子,靜靜映照著層疊山巒與流動雲影。向劇場從這份自然經驗出發,將觀景的片刻轉化為一段由風景走向心境的空間旅程。觀者沿著外廊進入劇場,低彩度的藍綠色調如湖面般延伸,灰階山形、倒影與霧化光線逐步展開。人尚未真正進入放映廳,感官與情緒卻已開始轉換。

Sun Moon Lake unfolds like a deep blue mirror, reflecting layers of mountains, drifting clouds and changing light. Toward Theatre begins with this landscape, translating the experience of looking outward into a spatial journey inward.Along the approach, muted blue-green surfaces, layered mountain silhouettes and diffused light gradually reshape the visitor's perception.

01 / CONCEPT

水心之劇
THEATRE AT THE HEART OF WATER

空間不只是劇場的容器,而是演出的第一幕。光、山形、湖色與行走路徑共同構成進場前的感知轉換。

Architecture becomes the first act of the performance, where light, landscape and movement gradually shift the visitor's state of mind.

漿水是劇場的幕,山形是情緒的雲層。

Water becomes the theatre's curtain; the mountains, layers of emotion.

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PLAN / 01

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空間如湖,劇場即境

SPACE AS LAKE, THEATRE AS LANDSCAPE

劇場以嵌入式獨立量體置入既有建築之中,一道連續曲牆重新界定入口、展示、控制與觀演空間,引導觀者由外而內、由景入劇。

An independent volume is inserted within the existing architecture. A continuous curved wall reorganizes the sequence of entrance, exhibition and performance spaces.

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01 / LAYERED RELIEF

層疊山形建立遠近景深

Layered reliefs create spatial depth.

ELEVATION / 01

山、水、霧與倒影

MOUNTAIN · WATER · MIST · REFLECTION

入口/主牆立面圖

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MATERIAL / COLOUR ATMOSPHERE

02 / GRADIENT FINISH

深湖藍綠漸層轉譯湖水與霧氣

A blue-green gradient evokes water and mist.

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03 / INTEGRATED LIGHT

線性光源藏入建築造型邊界

Linear lighting is concealed within the architectural edges.

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02 / ENTRANCE

向,不只是方向

TOWARD IS MORE THAN A DIRECTION

「向」是方向,也是姿態。它是觀者的視線所向,也是身體前傾、精神傾注的動作;更是一種向山、向水、向光的呼喚。

Toward is both direction and intention.It describes where we look, but also how the body and mind lean forward — toward the mountain, toward the water, toward light.

03 / LIGHT

一道光,重新定義天花

A LINE OF LIGHT DEFINES THE JOURNEY

大型曲面天花穿行於原有裸露結構之間。連續線光沿著邊界滑行,使新的白色量體懸浮於深色建築背景之中。

A continuous curved ceiling moves through the exposed structure. Concealed linear light traces its edge, allowing the new volume to appear almost weightless.

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04 / EXHIBITION

看景與想景之間

BETWEEN SEEING AND IMAGINING

劇場外廊被視為一道湖岸。展示、反射材質、漸層牆面與光線共同形成連續觀看路徑,讓閱讀發生於移動之中。

The corridor is conceived as a shoreline — a transitional landscape where exhibition, translucent surfaces and light unfold through movement.

ELEVATION / 02

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05 / IMMERSION

ENTER THE THEATRE

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進入放映廳後,空間語彙突然收斂。深色地毯、霧黑天花與布幔吸收多餘的聲音與視覺資訊,只留下階梯微光、銀幕與觀看本身。體感座椅、環繞聲場、風感與水霧系統被整合於空間之中,使影像由觀看延伸為身體經驗。

Motion seating, surround sound, wind and mist effects extend the cinematic image into a fully immersive bodily experience.

空間如湖,劇場即境。

SPACE AS LAKE. THEATRE AS LANDSCAPE.

一場從風景走向心境的空間旅程。A journey from landscape to inner perception.

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©2018 all copyright by 見文知桓聯合設計 CHIENHWAN associates

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